JAPANESE AVANT-GARDE PIONEERS
In theaters from April 2025.
Featuring Araki Nobuyoshi, Moriyama Daido, Hosoe Eikoh, Ishiuchi Miyako, Tanaami Keiichi, Yokoo Tadanori, Mishima Yukio, Hijikata Tatsumi, Ohno Kazuo, Terayama Shūji, Tenjō Sajiki, Kawada Kikuji, Watanabe Hitomi, Neo-Dada Organizers, Hi-Red Center, Awazu Kiyoshi, Kaneko Ryūichi, Hanaga Mitsutoshi, Nakahira Takuma, Enomoto Ryoichi, Tanabe Santaro, Sasame Hiroyuki, Mizohata Toshio, Morishita Takashi,Lena Fritsch,Alexandra Munroe,Lucy Fleming-Brown,Peter Tasker, Master K.
The 1960s era in Japan was a time of profound social change, political unrest and student protests. The turbulent times of the postwar era inspired an artistic explosion in Japan, with the emergence of a revolutionary scene of avant-garde artists who pioneered many disciplines: experimental and erotic photography, “Angura” theatre and underground street performances, apocalyptic Butoh dance, surreal illustrations and seminal graphic design.
A new aesthetic of photography was born: “Are, Bure, Boke” (rough, dark and out of focus), pioneered by Moriyama Daidō and the Provoke magazine photographers. Araki beautified bondage and Hosoe Eikoh sublimated the male body. Ishiuchi Miyako captured her experience of American military bases. Kawada Kikuji’s era-defining photobook The Map captured the poignancy of Hiroshima’s trauma.
Master of underground theatre Terayama Shūji produced countless magical, surreal and vividly colourful films, plays and photobooks, Yokoo Tadanori and Awazu Kiyoshi revolutionised graphic design with their incandescent theatre posters, Tanaami Keiichi, Japan’s answer to Andy Warhol, developed his unique kaleidoscopic vision of Pop-Art, and Butoh founders Hijikata Tatsumi and Ohno Kazuo impacted modern dance forever with their dance of darkness and light.
Directed by Amélie Ravalec
Produced by Circle Time Studio
Co-produced by Whatsopp. Inc. - Maaserhit Honda
©Circle Time Studio, 2025
DIRECTOR
Amélie Ravalec is a London-based Parisian film director, producer and photographer. She has directed documentaries exploring avant-garde, underground, and experimental art and music, including Japanese Avant-Garde Pioneers (2025) and Japan Visions (2026), which focus on Japanese avant-garde art and photography; Art & Mind (2019), a history of art and madness; Industrial Soundtrack For The Urban Decay (2015), exploring industrial music; and Paris/Berlin: 20 Years Of Underground Techno (2012), documenting the evolution of underground techno music. Her first foray into narrative fiction, Sumarsólstöður (2025), expands her exploration of underground and avant-garde culture in a new cinematic form.